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George Takei Set To Narrate 4th of July Fireworks Spectacular with the San Francisco Symphony

George Takei Set To Narrate 4th of July Fireworks Spectacular with the San Francisco Symphony

This 4th of July, our beloved Sulu (George Takei) is set to narrate the Fireworks Spectacular with the San Francisco Symphony.  This has become a regular gig for Takei, narrating symphonic performances from Honolulu to Long Island and everywhere in between.

Peter Hartlaub of the San Francisco Chronicle recently had the chance to interview George about his upcoming appearance.

Q: How does your narration gig work?

A: Many of them are sci-fi-oriented, and "Star Trek" is obviously an integral part of it. But with the Honolulu Symphony, I did Copland's "Lincoln Portrait." This Dutch composer Johan de Meij has composed a symphonic piece on "Lord of the Rings." That's a wonderful piece, because I get to play so many different parts, including ... oh dear ... I forget the name ... the creature.

Q: Gollum?

A: Yes, Gollum! Gollum is a lot of fun to do.

Q: This is going to bother me all day if I don't ask. Could you do a little Gollum right now?

A: Oh yes. Myyyyy precioooooooous. Ohhhhhhhhh. My precious! (Takei laughs.) I love doing that, and the audience eats that part up.

Q: Do you get tired of hearing the "Star Trek" theme?

A: No, no. Actually I'm very proud of my association with "Star Trek." And music of symphonic quality is so integral to the success of "Star Trek." I certainly respect the anthemic, soaring piece that Alexander Courage wrote for the TV series. That will be part of the evening with the San Francisco Symphony.

Q: You're a country music fan. There's a YouTube clip of you singing ...

A: Oh dear. (Laughs.) I'll never live that down. I went on TV and sang Willie Nelson's "On the Road Again," which I do in the shower. It was the first time I did it in front of the public with my clothes on and dry.

Q: How did you get into country music?

A: When I was growing up in an internment camp, I saw the guns aimed at us, and I saw the barbed-wire fences, but they became part of the landscape. It wasn't until we came out that I realized how hated we were and what those barbed-wire fences meant. ... But then we moved to East L.A., and that's when my parents bought a radio. And one of the tunes I heard was "Don't Fence Me In." (Takei sings.) Oh, give me land lots of land under starry skies above. Don't fence me in. ... I must have related that to the internment camp barbed wire. I'll always love that song. (source San Francisco Chronicle)

Read the article here.

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